For other people who switch computers fairly frequently.Â This saved me a ton of time on my last upgrade.Â Go to Documents and copy over the CELSYS folder. It contains all your local brushes and Workspaces.
This is especially important in Clip Studio Paint as there is no easy way to swap gradient directions (you can do it, it’s just not easy. The toggle is buried a bit in the gradient palette). Unfortuantely, there’s no swapper arrow and clicking on the colors just opens the palette to choose a new color.
As you can see, by default, “X” is assigned to “Switch main color and sub color”. This doesn’t mean the sub color is brought into the foreground, it means the sub color is selected. Not quite what I wanted. After a little trial and error, I figured out that the option I want is “Switch between main color and sub color”. This brings the sub color into the foreground and moves the main color into the background.
Last year a good friend of the family gave me an iPad Mini (more specs) as a reward for getting a book published. I trotted around happily with this iPad, reading library e-books on it, surfing the web, all that good stuff. I’m almost embarrassed at how long it took me to realize I could download sketching programs (Autodesk Sketchbook and Procreate are the two I finally settled on), and I didn’t really focus in on using the iPad as a sketchbook until a coworker bought me a Sensu brush stylus.
Now, this is the point where I’ll admit that I’m a serial sketchbook abandoner. I start a sketchbook, fill a couple pages, decide everything I draw is terrible and that I’m “wasting paper”, and abandon the sketchbook.
1/4 of the abandoned sketchbooks:
The point is, I wasn’t drawing as much as I should have.
I do have a Cintiq, which I cracked and purchased after TEN YEARS of hoping and praying Wacom would create a portable Cintiq. That’s what I REALLY wanted – a portable digital sketchbook. After sitting in front of a computer at work all day, the last thing I want to do when I get home is sit in front of another workstation for an additional 3-4 hours. I wanted something I could toss into my bag! Something I could curl up with on the couch or set up shop in a cafe or use on the train!
You can imagine my delight when, THE SAME FRIGGING YEAR I purchased my Cintiq, Wacom released the Cintiq Companion. >:P
So when I installed Sketchbook and Procreate on the iPad, it was a bit of a revelation, and a huge relief. There was no way I could justify getting a Cintiq Companion with a barely one-year-old Cintiq standing on my desk. The iPad was pretty close to being exactly what I’d been hoping for, especially after I inherited my relative’s iPad Air 2 (more specs), which had a lot of increased power compared to the Mini, and let me create much larger canvases. The absolute best thing about using the iPad is that it shut up the stupid paper-waster voice in my head. I’ve found myself sketching much for regularly and with a lot less angst because there’s no paper to waste, there’s always an undo button, and I have a limitless amount of cat-free storage space.
I will admit that at first it felt weird to dump the sketchbooks and switch entirely to digital. Most of my friends were using Procreate for loose sketches, or they were using their iPad as a kind of portable portfolio. I didn’t personally know anyone who was using an iPad as their primary sketchbook. But then I stumbled across the SketcherMan Blog, which was a revelation. There ARE other artists using iPads as their full time sketchbooks! I also I have access to a Surface 3, and it’s a great work-surface, but I prefer the iPad for the following reasons: 1) It’s LIGHT. I can throw it in my bag and I barely notice the extra weight. 2) It’s never run hot, which makes for a VERY comfortable drawing surface. The Surface 3 can run hot sometimes. At this point, the only real complaints I have about the iPad are the size of my stylus’s tip (which I get into below) and the maximum canvas size limits I’m currently running into in Procreate and Sketchbook (I would love to be able to create a full size, full resolution page of comic pencils on the iPad. Right now I’m still a couple hundred pixels shy). I save all my sketches directly to the iCloud or Dropbox which offers great peace of mind in case my iPad’s stolen or I lose it.
Initially the size of the stylus’ pen tip bothered me. I was used to a Cintiq or Wacom stylus, and it felt very awkward at first to use a such a large nib. So I did a ton of research. Was it worth investing in a high-end iPad stylus, like Studio 53’s Pencil, the Adonit Jot, or the Intuos Creative Stylus 2? Could I find one with a small nib? The Jot has the smallest tip of any of the styluses I looked at, weren’t crushingly expensive, and had decent reviews. There were just enough complaints to give me pause, however. After all, I didn’t want to drop nearly $30 to end up with something I wasn’t going to use. Most of the styluses I looked at range from $40 to almost $100 and that didn’t encourage a lot of risk-taking on my part, especially considering I already had one. To complicate things, for awhile I just couldn’t understand why all the styluses had such freaking huge tips! Why couldn’t I use my old Intuos, or Cintiq, or Surface 3 pens on the iPad or my Android phone?
Look at this! The Sensu tip is HUGE compared to the Cintiq’s! WTF?!
Theeeeeen…I read this article explaining the difference between capacitive screens (such as on smart phones and iPads) and regular touch screens (Cintiq, Surface 3).
At the end of the day, I decided to stick with the Sensu, which is all fairness is an excellent stylus. I don’t use the brush as often as I should, but it really does feel like painting with a real brush, and the company has excellent customer service and made it very easy for me to order replacement stylus tips. They also offer the Buddy stylus tip, which you can shove onto any pen or pencil, is great in a pinch, and only costs $5. In the meantime, I’m keeping a close eye on articles about the iPad Pro and keeping my fingers crossed.
Figured out where the masking tool was hiding. Yay, masking!
I’ve been struggling for about a week now with the inking brushes in Manga Studio. There’s so much I love about the program, especially the perspective rulers (which you can pry from my cold dead hands), but I’ve had a terrible time using the program’s out-of-the-box brushes. I could SORT OF use them, but the results were always erratic. Half the time a brush or pen would behave the way I expected, and the other half of the time it was like trying to ride a really pissed off horse. The results didn’t really look bad, but they didn’t look great, either. That said, yesterday I stumbled across this guy’s post, and it was a lifesaver.
Here’s a panel from a project I’ve been working on (I wish I’d thought to save a “before I adjusted the brush settings” version, because the difference is pretty dramatic. Oh well, I guess you’ll just have to trust me). I finally feel like what I’m producing looks like MY inking, not MangaStudio’s.
Also, thanks to my friend Karen luk for the head’s up about MS 5. I’m biting my fingernails down to the quick waiting for the EX release! Can’t wait to get my hands on that version.
I’ve been looking for a freebie sketch/paint program to keep on my work computer. This is a little sketch I did to test out SmoothDraw.I have to say, I’m impressed! The tools are well organized and it’s easy to get started. There are some features I missed, like Rotate, and I wish it were possible to remap the Quick Keys or export a layered Photoshop-friendly file, but the pencil tools are smooth and easy to adjust. It supports layers, but there doesn’t seem to be a way to adjust the resolution. Still, all in all, not bad for a freebie!
I’m gathering up links to solid digital painting tutorials, with a focus on digital watercolor painting. Feel free to post your own favorites in the comments.
Playing with Manga Studio EX’s inking tools.