A friend commissioned me to draw a cover for her novel Twisted Magic which she posted on Tapas.io. I was very excited about this because I’ve spend years harassing Barbara to let me draw something for her, and I have a special place of intense geeky love for Twisted Magic (primarily due to it being one of her few novels where the adorable couple isn’t dead by the end *AHEM COUGH COUGH BARBARA STOP WRITING ADORABLE PEOPLE AND THEN KILLING THEM OFF IN HORRIFIC WAYS COUGH COUGH* ). Also, out of all her couples, I love Korin and Ãdan the most, so this was really a dream project. Plus, Barbara has very high standards for her work, and I really wanted to prove I could rise to the challenge! Also, I decided to take this project on as a “fun” project to “relax” while struggling to dig my way out from under various other high-stress projects (YAY DECEMBERJANUARYFEBRUARY YAY).
Keep that context in mind while we examine the pros and cons of My Artistic Process ™(copyright – I’m too lazy to go find the symbol)(SERIOUSLY IT IS MY PHRASE NOW).
First off, I def wanted to come off super super professional, you know, like a REAL artist, which is hilarious because Barbara has known me for something like 15 years now so I don’t know why I thought I could pull the wool over her eyes. ;D. Like any good artist, I began with the most important thing: a set of hastily drawn concept sketches:
She emails me back and of course she preferred “Action Pose”, just like I thought she would, so I start developing that one.
I shoot this off to her for feedback and this is when I realize I completely misread her previous email. She did not, in fact, pick Action Pose. She wants Hello Sempai.
I ask her if she’s serious. She assures me she is.
OK, at this point I should have realized I needed to find some reference. Sadly, I was living in the denial bubble of “I CAN TOTES FAKE IT, GUIZ!!!”
And that, my friends, is one of the many ways ART HAPPENS! (ï¼¾â–½ï¼¾)